Italian Early Renaissance Painter, ca.1430-1495 He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,   Related Paintings of CRIVELLI, Carlo :. | Virgin and Child Enthroned around | Virgin and Child dfg | Pieta 124 | The Madonna of the Taper dfg | St Jerome and St Augustine dsfg |
Related Artists:
Francis Towne
English Painter, 1739-1816 was an English water-colour painter. He was born in Isleworth, Middlesex, the son of a corn chandler. Apprenticed to a coach painter in London, he won a design prize from the Society of Arts, and studied for a while at St Martin??s Lane Academy. In 1763 he was employed by a coach painter called Thomas Watson, and went to Exeter on business. He had already begun painting in oils and also taught drawing, and now he began to accept commissions from wealthy families in Devon. After a tour of north Wales in 1777, undertaken with his friend, the lawyer John White, he began to specialize in water-colours. In 1780 he travelled to Rome and from there to Naples. On his return to Devon, he was asked by Sir Thomas and Lady Acland of Killerton to paint some views in Devon and North Wales, and in 1786 he went on a painting tour of the Lake District
Benjamin Champney
(November 20, 1817 - December 11, 1907) was a painter whose name has become synonymous with White Mountain art of the 19th century. He began his training as a lithographer under celebrated marine artist Fitz Henry Lane at Pendleton's Lithography shop in Boston. Most art historians consider him the founder of the "North Conway Colony" of painters who came to North Conway, New Hampshire and the surrounding area during the second half of the 19th century. His paintings were often used to make chromolithographs that were subsequently sold to tourists who could not afford Champney's originals. He exhibited regularly at the Boston Athenæum and was a founder of the Boston Art Club
johan
1526-83